Tuesday, April 29, 2008
Riverside To Perform At The NJProghouse 9/12/08
The New Jersey Proghouse have announced that they will presenting a special concert on 9/12/08 in support of the Fellowship For Metlar House. Polish powerhouse Riverside will perform just prior to their show at the Montreal Progressive Rock Festival. NJ/PA band Pinnacle will open this special night. The Metlar House is a museum located in east-central New Jersey. This is the only chance to see Riverside this year unless you already have tickets to the two festivals they are playing in September.
The Proghouse has stated that there are a limited number of seats available for this benefit event and demand is high so be sure to get your seats early by going to http://www.njproghouse.com. There you will be able to order your seats and you can find all the other information for this benefit.
Waters Criticizes Emerson In Press; Emerson Fires Back
Roger Waters was interviewed recently and had some unkind works for Emerson Lake & Palmer. His comments are below.
Mark Brown: Some music from your classic era sounds timeless, like Dark Side or John Fogerty's anti-war songs. But some music from that era sounds dated and silly. You managed to avoid that with Dark Side and The Wall. Why is that?
Waters: It's because they're truthful and they spring from a passionate attachment to political and philosophical ideals that are based in the experience of others. If you were to name something that you now consider silly . . . not that I want to knock other artists, but you'd probably find the subject matter is fey in some way.
Mark Brown: I'm thinking music like Emerson, Lake & Palmer.
Waters: Well, that wasn't about anything . . . it was a construct in order to sell records. It didn't have its roots in somebody's passionate belief in human life. It had its roots in wanting to be successful in pop music in the 1970s.
The interview is at this link.
http://www.rockymountainnews.com/news/2008/apr/25/another-look-at-dark-side/
Keith Emerson's response to Tony Ortiz (Archivist for ELP):
So, like inflating pigs to fly over Battersea Power Station disrupting Heathrow Airport, London wasn't a construct in order to sell records or a publicity stunt to be successful in pop music? ELP's music combined social comment with fun, artistry and variety which is more than I can say about his morbid dronings. He and I are in the business of entertainment and if He chooses to put himself in the category of pop activist so be it. I learned the lesson early enough. Don't mix politics with music by burning flags. Leave all that to Bono and Sting. Either become a politician or a musician. Although he made a lot of money with his mono tonal ramblings on the latter I think he should stick to the former as long as he preaches his politics in some remote area like a worm sanctuary in Siberia.
K. E.
PS I enjoyed being part of his tribute album
Mark Brown: Some music from your classic era sounds timeless, like Dark Side or John Fogerty's anti-war songs. But some music from that era sounds dated and silly. You managed to avoid that with Dark Side and The Wall. Why is that?
Waters: It's because they're truthful and they spring from a passionate attachment to political and philosophical ideals that are based in the experience of others. If you were to name something that you now consider silly . . . not that I want to knock other artists, but you'd probably find the subject matter is fey in some way.
Mark Brown: I'm thinking music like Emerson, Lake & Palmer.
Waters: Well, that wasn't about anything . . . it was a construct in order to sell records. It didn't have its roots in somebody's passionate belief in human life. It had its roots in wanting to be successful in pop music in the 1970s.
The interview is at this link.
http://www.rockymountainnews.com/news/2008/apr/25/another-look-at-dark-side/
Keith Emerson's response to Tony Ortiz (Archivist for ELP):
So, like inflating pigs to fly over Battersea Power Station disrupting Heathrow Airport, London wasn't a construct in order to sell records or a publicity stunt to be successful in pop music? ELP's music combined social comment with fun, artistry and variety which is more than I can say about his morbid dronings. He and I are in the business of entertainment and if He chooses to put himself in the category of pop activist so be it. I learned the lesson early enough. Don't mix politics with music by burning flags. Leave all that to Bono and Sting. Either become a politician or a musician. Although he made a lot of money with his mono tonal ramblings on the latter I think he should stick to the former as long as he preaches his politics in some remote area like a worm sanctuary in Siberia.
K. E.
PS I enjoyed being part of his tribute album
Saturday, April 26, 2008
Phil Collins Quitting The Business?
According to NME.com, PHIL COLLINS has announced thathe is retiring from music. Having completed a reunion tour with GENESIS, themulti-instrumentalist has said in a newspaperinterview that he has no plans to tour or make anotheralbum. Collins told The Times that he will continue to write,simply because he does not know how to stop. The interview quotes Collins as saying he is moreinterested in his collection of memorabilia from theBattle Of The Alamo than music. Collins said: "It's not that unusual for a man of myage, who grew up reading Davy Crockett."
Thursday, April 17, 2008
Drummer Of The Nice, Refugee, Passes Away
Brian Davison, nicknamed "Blinky", passed away on April 15th from
complications with cancer. Davison was a British drummer, best known for his work in The Nice. He was born in Liecester and died in Horns Cross, Devon.
In the late 1950s, Davison played drums in various Skiffle groups in and around the youth clubs in North-west London, especially around Baker Street. He rose to prominence drumming in the 1960s in the progressive rock group The Nice with keyboardist Keith Emerson and bassist Lee Jackson. He was briefly in Jackson's Jackson Heights band, before joining Jackson and keyboardist Patrick Moraz in Refugee. He subsequently played in Gong before leaving the music business for a period.
Davison taught the drums to pupils at Bideford College and was respected as a teacher by his pupils. The Nice reunited for concerts in the early 2000s. Davison died on April 15, 2008.
complications with cancer. Davison was a British drummer, best known for his work in The Nice. He was born in Liecester and died in Horns Cross, Devon.In the late 1950s, Davison played drums in various Skiffle groups in and around the youth clubs in North-west London, especially around Baker Street. He rose to prominence drumming in the 1960s in the progressive rock group The Nice with keyboardist Keith Emerson and bassist Lee Jackson. He was briefly in Jackson's Jackson Heights band, before joining Jackson and keyboardist Patrick Moraz in Refugee. He subsequently played in Gong before leaving the music business for a period.
Davison taught the drums to pupils at Bideford College and was respected as a teacher by his pupils. The Nice reunited for concerts in the early 2000s. Davison died on April 15, 2008.
Sunday, March 16, 2008
Yezda Urfa Vocalist Passes Away

Rick Rodenbaugh, vocalist on 2 Yezda Urfa albums passed away on March 5th from liver cancer.
The GlobalProgressive Rock Network and The Gagliarchives sends our condolences to Rick's family and bandmates of Yezda Urfa.
He will be missed.
R.I.P.
Rick Rodenbaugh 1954-2008
http://home.comcast.net/~mmiller565/yuhome.htm
Sunday, January 13, 2008
Breaking News: Chad And Rob To Retire From Nearfest
NEARFEST PRESS RELEASE
January 12, 2008
Chad and Rob to retire after 10 years of NEARfest
NEARfest co-founders Chad Hutchinson and Rob LaDuca announce their
retirement from the festival organization after this year's 10th
anniversary NEARfest X celebration, largely due to significantly
increased family and professional obligations. Arrangements are well
underway to transfer the entire non-profit festival organization and
its crucial diverse band selection ethic into the capable hands of
others already well-established in the progressive rock community. It
is certain that NEARfest "Mark II" will have the same wide spread of
prog rock subgenres as always.
Rob states, "It's been a pleasure bringing the best in progressive
and eclectic music to the NEARfest audience for ten long (or is that
short?!) years. The demands of single fatherhood and my academic
position at Michigan State have left little time for NEARfest over
the past couple of years. My time to investigate the torrent of new
releases in all prog subgenres has evaporated, and in what little
music-listening time that sporadically presents itself, I've been
consistently reaching for old favorites. I feel that all of the
NEARfests have had stresses and joys, and they all have left an
indelible mark; I'll never forget any of them or the many people
involved... artists, volunteers, and audience alike. However now I
find it's definitely time to focus my energies more closely on my
children as they enter their teenage years, and secondarily on my
teaching and research career."
Chad says, "It has been a great ride and it is very hard to believe
that it's been 10 years already. In that time, I've not only gotten
married to Cheryl, but now have two wonderful little boys, Liam and
Cameron. The years running NEARfest have been pretty amazing. Looking
back on it, I'm still in a bit of disbelief when I think that we've
hosted the likes of Keith Emerson, Steve Hackett, Camel, Banco and,
this year, Peter Hammill on our stage, not to mention being part of
the the reformations of Anglagard, Happy the Man, Nektar, FM and
Discipline. I am realizing how many wonderful people we have come in
contact with over our tenure, from the musicians, the crew, the
Zoellner staff, the local businesses... to Roger Dean, Paul Whitehead
and Mark Wilkinson... to of course all the people who have supported
the festival by buying tickets year after year. We've had a lot of
fun and learned a lot in 10 years, and with that, when to refocus and
concentrate on other parts of our lives, like our families and our careers."
Though we are both leaving our official posts with NEARfest, Rob and
I will provide whatever assistance we can as the festival moves
forward. An announcement will be made in the coming months with
regard to the new organizers."
Thank you to all of the musicians, festival staff, and attendees for
all of the wonderful memories over the past 10 years. We will see you
in June... one more time.
http://nearfest.com
January 12, 2008
Chad and Rob to retire after 10 years of NEARfest
NEARfest co-founders Chad Hutchinson and Rob LaDuca announce their
retirement from the festival organization after this year's 10th
anniversary NEARfest X celebration, largely due to significantly
increased family and professional obligations. Arrangements are well
underway to transfer the entire non-profit festival organization and
its crucial diverse band selection ethic into the capable hands of
others already well-established in the progressive rock community. It
is certain that NEARfest "Mark II" will have the same wide spread of
prog rock subgenres as always.
Rob states, "It's been a pleasure bringing the best in progressive
and eclectic music to the NEARfest audience for ten long (or is that
short?!) years. The demands of single fatherhood and my academic
position at Michigan State have left little time for NEARfest over
the past couple of years. My time to investigate the torrent of new
releases in all prog subgenres has evaporated, and in what little
music-listening time that sporadically presents itself, I've been
consistently reaching for old favorites. I feel that all of the
NEARfests have had stresses and joys, and they all have left an
indelible mark; I'll never forget any of them or the many people
involved... artists, volunteers, and audience alike. However now I
find it's definitely time to focus my energies more closely on my
children as they enter their teenage years, and secondarily on my
teaching and research career."
Chad says, "It has been a great ride and it is very hard to believe
that it's been 10 years already. In that time, I've not only gotten
married to Cheryl, but now have two wonderful little boys, Liam and
Cameron. The years running NEARfest have been pretty amazing. Looking
back on it, I'm still in a bit of disbelief when I think that we've
hosted the likes of Keith Emerson, Steve Hackett, Camel, Banco and,
this year, Peter Hammill on our stage, not to mention being part of
the the reformations of Anglagard, Happy the Man, Nektar, FM and
Discipline. I am realizing how many wonderful people we have come in
contact with over our tenure, from the musicians, the crew, the
Zoellner staff, the local businesses... to Roger Dean, Paul Whitehead
and Mark Wilkinson... to of course all the people who have supported
the festival by buying tickets year after year. We've had a lot of
fun and learned a lot in 10 years, and with that, when to refocus and
concentrate on other parts of our lives, like our families and our careers."
Though we are both leaving our official posts with NEARfest, Rob and
I will provide whatever assistance we can as the festival moves
forward. An announcement will be made in the coming months with
regard to the new organizers."
Thank you to all of the musicians, festival staff, and attendees for
all of the wonderful memories over the past 10 years. We will see you
in June... one more time.
http://nearfest.com
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