Saturday, July 23, 2011
URIAH HEEP To Release 'Live In Armenia' In September
Frontiers Records will release URIAH HEEP's "Live In Armenia" 2CD+DVD package on September 23 in Europe and September 27 in North America.
In October 2009, URIAH HEEP released its 40th-anniversary "Celebration" album, containing new studio recordings of 12 of its most successful,
classic tracks, plus two brand new songs. This recording heralded an
exciting new phase for the band, taking their classic sound right into
the future.
The band hit the road to celebrate 40 years at the
top and opened new frontiers in Eastern Europe, Australia, South Africa,
Japan and America. The band has played 53 different countries in total.
The band's motto has always been "if the people cannot come to see and
hear HEEP music, we will take it to them," and based on that,
when the band was invited to play for the first time in Armenia, they
did not think twice and went for it. So when the band agreed they were
approached by TV and film crews to document this concert which shows an
epic performance and an incredibly strong and powerful audience
reaction.
"It was unique because it was a first for us, and the
fact that our music meant so much to so many people, was just
wonderful," says Mick Box. "It cannot get any better than that.
There were some technical problems to overcome, as we played on hired
equipment, but the emotion of the night won through, and if asked, we
would indeed go back and play again".
URIAH HEEP, who indisputably invented hard rock in conjunction with BLACK SABBATH, DEEP PURPLE and LED ZEPPELIN, have sold in excess of 30 million albums since their inception in 1969. From their early incarnation as THE GODS AND SPICE, through record breaking tours, gold and platinum selling albums,
timeless chart scaling anthems and a fiercely dedicated fan base of
worldwide proportions, URIAH HEEP can rightly claim to be one of the greatest U.K. progressive heavy rock bands of both the 20th and 21st centuries.
"Live in Armenia" will be exclusively released in a glossy digipak 2CD+DVD package and on a limited 2LP gatefold sleeve version (including only the audio
portion).
The full track listing is as follows:
CD1:
01. Wake The Sleeper
02. Overload
03. Tears Of The World
04. Stealin'
05. Book Of Lies
06. Gypsy
07. Look At Yourself
08. What Kind Of God
09. Angels Walk With You
10. Shadow
CD2:
01. July Morning
02. Easy Livin'
03. Sunrise
04. Sympathy
05. Lady In Black
DVD:
01. Wake the Sleeper
02. Overload
03. Tears Of The World
04. Stealin'
05. Book Of Lies
06. Gypsy
07. Look At Yourself
08. What Kind of God
09. Angels Walk With You
10. Shadow
11. July Morning
12. Easy Livin'
13. Sunrise
14. Sympathy
15. Lady In Black
MIKE PORTNOY Explains Long Wait For ADRENALINE MOB Album
The group has been confirmed as one of the support acts for GODSMACK on the Massachusetts group's post-Rockstar Energy Drink Mayhem Festival headlining run throughout North America in August.
To coincide with the tour, ADRENALINE MOB will release a four-song EP in August.
Commented Portnoy: "Most labels require a three-month 'setup' for a well-promoted
release... As it is now late July, delivering the album to a label TODAY won't get a release 'till October... and basically ALL labels won't
release a new album past October (unless you are MADONNA, LADY GAGA, EMINEM, etc.). So rather than us taking these GODSMACK shows with NOTHING available and a release not likely 'till January (or so), we decided to put out an EP to give you all a taste of the MOB now so we can play some shows and still set up a full-length release!
He added, "Believe me, we are as anxious as you all to hear this music!"
GODSMACK with ADRENALINE MOB tour dates:
Aug. 16 - Myrtle Beach, SC - House Of Blues
Aug. 20 - Watertown, NY - Watertown Grandstands
Aug. 21 - Hamilton, ON - Copps Colisseum
Aug. 23 - Dubuque, IA - Five Flags Arena
Aug. 24 - Bloomington, IL - US Cellular Colisseum
Aug. 26 - Casper, WY - Casper Events Center
Aug. 27 - Grand Junction, CO - Rock Jam
To coincide with the tour, ADRENALINE MOB will release a four-song EP in August.
Commented Portnoy: "Most labels require a three-month 'setup' for a well-promoted
release... As it is now late July, delivering the album to a label TODAY won't get a release 'till October... and basically ALL labels won't
release a new album past October (unless you are MADONNA, LADY GAGA, EMINEM, etc.). So rather than us taking these GODSMACK shows with NOTHING available and a release not likely 'till January (or so), we decided to put out an EP to give you all a taste of the MOB now so we can play some shows and still set up a full-length release!
He added, "Believe me, we are as anxious as you all to hear this music!"
GODSMACK with ADRENALINE MOB tour dates:
Aug. 16 - Myrtle Beach, SC - House Of Blues
Aug. 20 - Watertown, NY - Watertown Grandstands
Aug. 21 - Hamilton, ON - Copps Colisseum
Aug. 23 - Dubuque, IA - Five Flags Arena
Aug. 24 - Bloomington, IL - US Cellular Colisseum
Aug. 26 - Casper, WY - Casper Events Center
Aug. 27 - Grand Junction, CO - Rock Jam
Rush News
Cue Simpsons-Comic-Book-Store-Guy voice: Best. Band. Ever!
If you're a good drummer, it's a physically demanding job. To be the greatest,
you must follow a training regimen that goes beyond the lighted stage.
A recent reader's poll in Rolling Stone magazine proclaimed my fellow Canadian
Neil Peart of Rush to be the greatest living
drummer, and I, many drum magazines and TV's "Family Guy" agree. Accordingly, I endeavored to snag an interview with a man who rarely
gives interviews. I wanted to discover how a rocker — a career not known for
promoting health or longevity — can keep his body a skin-smashing machine after 37 years in the same
rock trio giving calorie-combusting concert performances that would blow the
lumbar discs and ventricles of lesser men.
Getting to meet Peart might be cool too.
The stars, planets and concert tickets aligned. According to Rush publicist
Meghan Symsyk, I hit the "trifecta" needed to qualify for 15 minutes
of Peart's time before the June 30 concert in Vancouver, Canada: I'm writing
for his current hometown paper, I am Canadian and I wanted to talk fitness.
Road trip!
Leaving at an hour so ungodly it would make Linda Blair's head spin around, my best
friend, Craig McArthur, and I commenced a 600-mile, middle-aged-men-in-minivan
voyage fueled by weapon-grade coffee and an all-Rush soundtrack. Arriving in Vancouver, we checked
into a Ramada of dubious quality in an area where I worried about the safety of
my 2009 Toyota Sienna.
After freshening up and working out the kinks of the road with a stroll about
the city and "the best lasagna in town," I walked to Rogers Arena for
the interview, fretting over the possibility that Peart might not actually have a fitness regimen.
But he did not disappoint. The man, it turns out, is a workout warrior, and he
credits this with giving him the endurance to drum the way he does.
I arrived early and was brought to a waiting area backstage where the door was
left open and busy people walked by doing their jobs like it was no big deal.
Promptly on schedule, I was escorted to Peart's dressing room, and as he stood
to greet me, offering a large right hand for me to shake, I noticed he dwarfed
my 6-foot frame.
Knowing time was tight, we commenced the interview quickly, with a momentary
detour to talk about shoes. I have my preferred runners, and it turns out Peart
has his favorite drumming shoes: light, comfortable and with little bumps on
the soles that act as suction cups to give just the right amount of grip. We're
both believers in having the right tools for the job.
I started by asking him if he was active as a child.
"I had spindly little ankles, and growing up in Canada, I couldn't skate," he
said. Just FYI, being able to ice skate is kind of a big deal in this country.
"I was no good at any sports so was very much a pariah through those
adolescent years."
I identified with this: I'd been a teenage spaz who was always picked last for
teams and so am painfully aware of the subdivisions in the high school halls
between the cool kids and the misfits.
I found exercise later in life — and so, it turns out, did Peart. What's more,
he said, "It was actually drumming that gave me the stamina to get into
sports later. I started playing drums at 13, and when I got to the
international touring level … I got interested in cross-country skiing,
long-distance swimming, bicycling … things that require stamina, not finesse.
I'm still no good at ball-and-stick games. If I go play golf with the guys, it's
intended to be a joke."
The depth of his interest in fitness became apparent when he started to talk
about the difference between slow-twitch and fast-twitch muscle fibers.
Fast-twitch fibers are the ones that generate massive power and are used in feats
of strength. Even though Peart beats his drums like they're a rented Hyundai,
the force he generates is not to a degree that activates fast-twitch fibers; it
is almost exclusively the work of the smaller, fatigue-resistant slow-twitch
muscle fibers. Unless he decides to bench press his drum kit.
"Stamina is the force that drives the drumming; it's not really a
sprint," said Peart, who is 46 years older to the day than my 12-year-old
son (see what I did there? I made you do math). "The stamina aspect is
great because you don't lose that with age so quickly. I know there will be a
day when I just can't do it, but at 58 years of age it hasn't come yet. I can
still play as fast and as powerful and as long as I ever could."
To keep up his stamina, he said, he has to pretty much never get out of shape.
More of us need to think this way. So often people want to lose weight for a
high school reunion or a beach vacation — and then commence gaining it all back
as soon as they hit the buffet line or start ordering poolside margaritas. Such
short-term motivation is a far cry from the superior approach of keeping a fit
lifestyle close to your heart all year round.
"If it's
cross-country ski season, I'll be out doing that, or snowshoeing up in Quebec," he told
me. "In my California
home, I go to the local Y and I like doing yoga. It's been hugely beneficial to me in injury
avoidance." I know some yoga fans who are going to love reading that.
He's also an avid cyclist and swimmer. He lifts weights as well but keeps it
light because, again, he's focused on training those slow-twitch fibers.
Even
though he's consistently active, that doesn't mean he's always road ready.
Touring requires an additional level of sport-specific training, a.k.a. endless
drumming.
I get that: I run long distances and lift weights throughout the winter, but
when the snow melts and I break out my bicycle, it still takes a few weeks
before things come together on the bike.
Then Peart showed me his "radical calluses" that he needs to build up
for touring, which are significantly bigger than the ones on my feet from
running. I experienced an attack of callus envy.
"Playing a three-hour Rush show is like running a marathon while solving
equations," he said. "My mind is as busy as it can be, and so is my
body; full output all the time."
Even while he's on tour and working hard on stage in the evenings, Peart still
fits in exercise. Last summer in Colorado,
he took a day off between shows and hiked up one of the fourteeners — a
mountain peak that exceeds 14,000 feet. And I thought I was special when I used
to go for a run after a day of trade show booth duty.
Peart thinks, with apologies to their parents, that drumming is a good physical
activity for kids.
"Years ago I got involved in a charity trying to help troubled kids and
came up with a slogan: 'If you've got a problem, take it out on a drum.' I
can't do it professionally because it's so disciplined — I've got to control
the band and tempos — but there is such a thing as getting a kid's aggression
out on a drum set."
Plus, he said, drumming is a way for young kids to build up stamina without
risking injury from contact sports. And it's a good choice for kids who hate
sports but like music.
For parents dreaming of a golden child with a Johnny Unitas flattop who captains the football team,
a pierced and purple-haired teen pounding out his version of Excedrin Headache
No. 17 on a drum kit may seem like a bad trade. But drumming is physically
active and creative, and it beats having a kid whose passions are Doritos, weed
and Mario Kart.
Just how physically active is it? Peart told of a study done on Clem Burke, the
drummer for Blondie, on the metabolic effects of drumming. The
research, conducted by Marcus Smith of the University
of Chichester in England, found
that Burke's heart rate averaged 140 to 150 beats per minute and at times would
spike as high as 190 — well beyond the recommended "maximum" for his
age (he's now 57). Smith concluded that being a top drummer required the same
stamina as being an elite-level soccer player.
No wonder Peart trains hard. He's also aware of the need to eat "sensibly
and nutritiously" to fuel his endeavors, extolling the virtues of a
healthful breakfast (balanced with a single-malt whiskey after each show).
It was thrilling to hear he takes exercise seriously enough to keep his body a
high-performance machine. Peart is the epitome of fighting a valiant delaying
action against age and refusing to slow down; I see him as a musical Jack LaLanne (hey, it's not like I used Rush lyrics
for my high school graduation quote or anything).
Later that evening, I got to see Peart's athletic performance up close. Acting
as an embedded reporter on the front lines of the Rush concert, I witnessed the
drumming version of LaLanne swimming Long Beach Harbor while towing a string of
70 rowboats.
The band played for 80 minutes, then took a 40-minute break because members
were considerate of their fan base's urgent need to use the bathroom and get
more beer. Then they powered through another 90 minutes. The second set
contained an astounding 71/2 -minute drum solo.
For almost three hours, Peart pounded on his kit with a combination of
disciplined vigor and finesse that mesmerized the crowd of 13,000 fans. One of
the songs the band played was "Marathon"
from its 1985 "Power Windows" album. Peart is also the band's
lyricist, and the closing lines he penned for the song are, "You can do a
lot in a lifetime, if you don't burn out too fast/You can make the most of the
distance/First you need endurance/First you've got to last."
Peart understands that when it comes to making things last, humans are the
exact opposite of mechanical systems. If you own a classic vehicle (say, an
Italian Barchetta-style sports car), to preserve this old machine you need to
keep it in storage most of time, perhaps taking it out only for Sunday drives.
Biological entities are different because we have self-repair built in. And for
a rock drummer to keep his engine responding with a roar for 50-odd years, he
needs to rack up the mileage.
Physically pushing the body makes it better, makes it stronger, makes it last.
Sitting on the couch is what causes it to burn out too fast.
Though he's an aficionado of many endurance activities, Peart admitted he
doesn't like running. But since I do, forgive me this metaphor-o-rama to
describe his penultimate performance for the band's Time Machine tour: He
completed a marathon and wasn't gasping toward the end. His rigorous training
regimen gave him the endurance to sprint across the finish line. Yeah, I'll
proudly wear my concert T-shirt to the gym.
And to my fellow road warrior who put up with my neuroses for that crazy 48
hours: I love you, man.
Fell is a certified strength and conditioning specialist in Calgary, Canada.
If you're a good drummer, it's a physically demanding job. To be the greatest,
you must follow a training regimen that goes beyond the lighted stage.
A recent reader's poll in Rolling Stone magazine proclaimed my fellow Canadian
Neil Peart of Rush to be the greatest living
drummer, and I, many drum magazines and TV's "Family Guy" agree. Accordingly, I endeavored to snag an interview with a man who rarely
gives interviews. I wanted to discover how a rocker — a career not known for
promoting health or longevity — can keep his body a skin-smashing machine after 37 years in the same
rock trio giving calorie-combusting concert performances that would blow the
lumbar discs and ventricles of lesser men.
Getting to meet Peart might be cool too.
The stars, planets and concert tickets aligned. According to Rush publicist
Meghan Symsyk, I hit the "trifecta" needed to qualify for 15 minutes
of Peart's time before the June 30 concert in Vancouver, Canada: I'm writing
for his current hometown paper, I am Canadian and I wanted to talk fitness.
Road trip!
Leaving at an hour so ungodly it would make Linda Blair's head spin around, my best
friend, Craig McArthur, and I commenced a 600-mile, middle-aged-men-in-minivan
voyage fueled by weapon-grade coffee and an all-Rush soundtrack. Arriving in Vancouver, we checked
into a Ramada of dubious quality in an area where I worried about the safety of
my 2009 Toyota Sienna.
After freshening up and working out the kinks of the road with a stroll about
the city and "the best lasagna in town," I walked to Rogers Arena for
the interview, fretting over the possibility that Peart might not actually have a fitness regimen.
But he did not disappoint. The man, it turns out, is a workout warrior, and he
credits this with giving him the endurance to drum the way he does.
I arrived early and was brought to a waiting area backstage where the door was
left open and busy people walked by doing their jobs like it was no big deal.
Promptly on schedule, I was escorted to Peart's dressing room, and as he stood
to greet me, offering a large right hand for me to shake, I noticed he dwarfed
my 6-foot frame.
Knowing time was tight, we commenced the interview quickly, with a momentary
detour to talk about shoes. I have my preferred runners, and it turns out Peart
has his favorite drumming shoes: light, comfortable and with little bumps on
the soles that act as suction cups to give just the right amount of grip. We're
both believers in having the right tools for the job.
I started by asking him if he was active as a child.
"I had spindly little ankles, and growing up in Canada, I couldn't skate," he
said. Just FYI, being able to ice skate is kind of a big deal in this country.
"I was no good at any sports so was very much a pariah through those
adolescent years."
I identified with this: I'd been a teenage spaz who was always picked last for
teams and so am painfully aware of the subdivisions in the high school halls
between the cool kids and the misfits.
I found exercise later in life — and so, it turns out, did Peart. What's more,
he said, "It was actually drumming that gave me the stamina to get into
sports later. I started playing drums at 13, and when I got to the
international touring level … I got interested in cross-country skiing,
long-distance swimming, bicycling … things that require stamina, not finesse.
I'm still no good at ball-and-stick games. If I go play golf with the guys, it's
intended to be a joke."
The depth of his interest in fitness became apparent when he started to talk
about the difference between slow-twitch and fast-twitch muscle fibers.
Fast-twitch fibers are the ones that generate massive power and are used in feats
of strength. Even though Peart beats his drums like they're a rented Hyundai,
the force he generates is not to a degree that activates fast-twitch fibers; it
is almost exclusively the work of the smaller, fatigue-resistant slow-twitch
muscle fibers. Unless he decides to bench press his drum kit.
"Stamina is the force that drives the drumming; it's not really a
sprint," said Peart, who is 46 years older to the day than my 12-year-old
son (see what I did there? I made you do math). "The stamina aspect is
great because you don't lose that with age so quickly. I know there will be a
day when I just can't do it, but at 58 years of age it hasn't come yet. I can
still play as fast and as powerful and as long as I ever could."
To keep up his stamina, he said, he has to pretty much never get out of shape.
More of us need to think this way. So often people want to lose weight for a
high school reunion or a beach vacation — and then commence gaining it all back
as soon as they hit the buffet line or start ordering poolside margaritas. Such
short-term motivation is a far cry from the superior approach of keeping a fit
lifestyle close to your heart all year round.
"If it's
cross-country ski season, I'll be out doing that, or snowshoeing up in Quebec," he told
me. "In my California
home, I go to the local Y and I like doing yoga. It's been hugely beneficial to me in injury
avoidance." I know some yoga fans who are going to love reading that.
He's also an avid cyclist and swimmer. He lifts weights as well but keeps it
light because, again, he's focused on training those slow-twitch fibers.
Even
though he's consistently active, that doesn't mean he's always road ready.
Touring requires an additional level of sport-specific training, a.k.a. endless
drumming.
I get that: I run long distances and lift weights throughout the winter, but
when the snow melts and I break out my bicycle, it still takes a few weeks
before things come together on the bike.
Then Peart showed me his "radical calluses" that he needs to build up
for touring, which are significantly bigger than the ones on my feet from
running. I experienced an attack of callus envy.
"Playing a three-hour Rush show is like running a marathon while solving
equations," he said. "My mind is as busy as it can be, and so is my
body; full output all the time."
Even while he's on tour and working hard on stage in the evenings, Peart still
fits in exercise. Last summer in Colorado,
he took a day off between shows and hiked up one of the fourteeners — a
mountain peak that exceeds 14,000 feet. And I thought I was special when I used
to go for a run after a day of trade show booth duty.
Peart thinks, with apologies to their parents, that drumming is a good physical
activity for kids.
"Years ago I got involved in a charity trying to help troubled kids and
came up with a slogan: 'If you've got a problem, take it out on a drum.' I
can't do it professionally because it's so disciplined — I've got to control
the band and tempos — but there is such a thing as getting a kid's aggression
out on a drum set."
Plus, he said, drumming is a way for young kids to build up stamina without
risking injury from contact sports. And it's a good choice for kids who hate
sports but like music.
For parents dreaming of a golden child with a Johnny Unitas flattop who captains the football team,
a pierced and purple-haired teen pounding out his version of Excedrin Headache
No. 17 on a drum kit may seem like a bad trade. But drumming is physically
active and creative, and it beats having a kid whose passions are Doritos, weed
and Mario Kart.
Just how physically active is it? Peart told of a study done on Clem Burke, the
drummer for Blondie, on the metabolic effects of drumming. The
research, conducted by Marcus Smith of the University
of Chichester in England, found
that Burke's heart rate averaged 140 to 150 beats per minute and at times would
spike as high as 190 — well beyond the recommended "maximum" for his
age (he's now 57). Smith concluded that being a top drummer required the same
stamina as being an elite-level soccer player.
No wonder Peart trains hard. He's also aware of the need to eat "sensibly
and nutritiously" to fuel his endeavors, extolling the virtues of a
healthful breakfast (balanced with a single-malt whiskey after each show).
It was thrilling to hear he takes exercise seriously enough to keep his body a
high-performance machine. Peart is the epitome of fighting a valiant delaying
action against age and refusing to slow down; I see him as a musical Jack LaLanne (hey, it's not like I used Rush lyrics
for my high school graduation quote or anything).
Later that evening, I got to see Peart's athletic performance up close. Acting
as an embedded reporter on the front lines of the Rush concert, I witnessed the
drumming version of LaLanne swimming Long Beach Harbor while towing a string of
70 rowboats.
The band played for 80 minutes, then took a 40-minute break because members
were considerate of their fan base's urgent need to use the bathroom and get
more beer. Then they powered through another 90 minutes. The second set
contained an astounding 71/2 -minute drum solo.
For almost three hours, Peart pounded on his kit with a combination of
disciplined vigor and finesse that mesmerized the crowd of 13,000 fans. One of
the songs the band played was "Marathon"
from its 1985 "Power Windows" album. Peart is also the band's
lyricist, and the closing lines he penned for the song are, "You can do a
lot in a lifetime, if you don't burn out too fast/You can make the most of the
distance/First you need endurance/First you've got to last."
Peart understands that when it comes to making things last, humans are the
exact opposite of mechanical systems. If you own a classic vehicle (say, an
Italian Barchetta-style sports car), to preserve this old machine you need to
keep it in storage most of time, perhaps taking it out only for Sunday drives.
Biological entities are different because we have self-repair built in. And for
a rock drummer to keep his engine responding with a roar for 50-odd years, he
needs to rack up the mileage.
Physically pushing the body makes it better, makes it stronger, makes it last.
Sitting on the couch is what causes it to burn out too fast.
Though he's an aficionado of many endurance activities, Peart admitted he
doesn't like running. But since I do, forgive me this metaphor-o-rama to
describe his penultimate performance for the band's Time Machine tour: He
completed a marathon and wasn't gasping toward the end. His rigorous training
regimen gave him the endurance to sprint across the finish line. Yeah, I'll
proudly wear my concert T-shirt to the gym.
And to my fellow road warrior who put up with my neuroses for that crazy 48
hours: I love you, man.
Fell is a certified strength and conditioning specialist in Calgary, Canada.
Friday, July 22, 2011
THRESHOLD To Resume Work On New Album
U.K.-based progressive metallers THRESHOLD are preparing to return to the studio to resume work on the follow-up to 2007's "Dead Reckoning" for a 2012 release via Nuclear Blast Records. The CD is once again being recorded at Thin Ice Studios in the U.K. with producers Karl Groom and Richard West.
"Dead Reckoning" enjoyed chart success in the U.K., Germany and Holland. THRESHOLD has since released a double album compilation, "The Ravages Of Time", and a box set entitled "Paradox - The Singles Collection".
THRESHOLD is:
Damian Wilson - Vocals
Karl Groom - Guitar
Richard West - Keyboards
Johanne James - Drums
Steve Anderson - Bass
Pete Morten - Guitar
"Dead Reckoning" enjoyed chart success in the U.K., Germany and Holland. THRESHOLD has since released a double album compilation, "The Ravages Of Time", and a box set entitled "Paradox - The Singles Collection".
THRESHOLD is:
Damian Wilson - Vocals
Karl Groom - Guitar
Richard West - Keyboards
Johanne James - Drums
Steve Anderson - Bass
Pete Morten - Guitar
King Crimson members unite for exclusive tour this fall
Three King Crimson members unite for exclusive Two of a Perfect Trio tour this fall
King Crimson members Adrian Belew, Tony Levin and Pat Mastelotto have combined the forces of their trios, the Adrian Belew Power Trio and Stick Men, for the Two of a Perfect Trio tour. This double trio will extensively tour the United States this fall with select Canadian dates.
"It's a rare treat, both for us in the band, and for the audience, for three King Crimson members to be together onstage," says Levin. "And the supporting cast are excellent players in their own right."
The performance will feature two sets with an extended encore of music all featuring King Crimson material. The show will kick off with sets by Stick Men, featuring Mastelotto on electronic and acoustic percussion, Markus Reuter on his self-designed Touch Guitar, and Levin on Chapman Stick; and the Adrian Belew Power Trio with Belew on guitar and vocals, bassist Julie Slick, and NYC drummer Tobias Ralph.
For the extended "Crim-centric" encore, fans will be treated to the three Crimson members Belew, Levin and Mastelotto, covering some of their favorite pieces from their work in King Crimson.
"King Crimson is an elite club," says Belew. "There have only been seven members in the last 30 years. Having Tony, Pat and myself onstage, three legitimate Crimson players, will make this as close as currently possible to the actual thing."
To make this concert even more colossal, the trios will combine to close out the show.
"Then the others will come out to join us as a double trio, fairly well covering what Crimson had in the 90's lineup," says Levin. "It should be a big challenge, wild music, and great fun."
I'm very excited at the sound I hear in my head of this particular 'double trio,'" says Belew. "It's monstrous."
Confirmed tour dates are:
Sept. 19 Atlanta, GA Variety Playhouse Sept. 20 Carrboro, NC Carrboro Arts Center Sept. 21 Knoxville, TN Bijou Theater Sept. 22 Annapolis, MD Ram's Head On Stage Sept. 23 Phoenixville, PA Colonial Theatre Sept. 24 Vienna, VA Jammin Java Sept. 26 New York, NY Iridium Sept.
27 Boston, MA Royale Sept. 28 New York, NY Iridium Sept. 29 New York, NY Iridium Sept. 30 Fairfield, CT Stage One Oct. 1 Northampton, MA Iron Horse Oct. 2 Montreal Corona Theatre Oct. 4 Toronto The Mod Club Oct. 5 Buffalo, NY Tralf Oct. 6 Covington, KY Historic Southgate House Oct. 7 Detroit, MI Magic Bag Oct. 8 Chicago, IL Old Town School of Folk Oct. 9 Minneapolis, MN Cedar Cultural Center Oct. 11 Boulder, CO Boulder Theater Oct. 12 Salt Lake City, UT The Depot Oct. 14 Portland, OR Aladdin Theater Oct. 15 Seattle, WA Triple Door Oct. 17 Sacramento, CA Harlow's Oct. 18 San Francisco, CA Regency Ballroom Oct. 19 Solana Beach, CA Belly Up Tavern Oct. 21 Agoura Hills, CA Canyon Club Oct. 22 Santa Ana, CA Galaxy Theater Oct. 23 Phoenix, AZ The Foundry Oct. 26 St. Louis, MO Old Rock House Oct. 27 Indianapolis, IN Birdys Oct. 28 Nashville, TN Belcourt Oct. 29 Asheville, NC Moogfest
King Crimson members Adrian Belew, Tony Levin and Pat Mastelotto have combined the forces of their trios, the Adrian Belew Power Trio and Stick Men, for the Two of a Perfect Trio tour. This double trio will extensively tour the United States this fall with select Canadian dates.
"It's a rare treat, both for us in the band, and for the audience, for three King Crimson members to be together onstage," says Levin. "And the supporting cast are excellent players in their own right."
The performance will feature two sets with an extended encore of music all featuring King Crimson material. The show will kick off with sets by Stick Men, featuring Mastelotto on electronic and acoustic percussion, Markus Reuter on his self-designed Touch Guitar, and Levin on Chapman Stick; and the Adrian Belew Power Trio with Belew on guitar and vocals, bassist Julie Slick, and NYC drummer Tobias Ralph.
For the extended "Crim-centric" encore, fans will be treated to the three Crimson members Belew, Levin and Mastelotto, covering some of their favorite pieces from their work in King Crimson.
"King Crimson is an elite club," says Belew. "There have only been seven members in the last 30 years. Having Tony, Pat and myself onstage, three legitimate Crimson players, will make this as close as currently possible to the actual thing."
To make this concert even more colossal, the trios will combine to close out the show.
"Then the others will come out to join us as a double trio, fairly well covering what Crimson had in the 90's lineup," says Levin. "It should be a big challenge, wild music, and great fun."
I'm very excited at the sound I hear in my head of this particular 'double trio,'" says Belew. "It's monstrous."
Confirmed tour dates are:
Sept. 19 Atlanta, GA Variety Playhouse Sept. 20 Carrboro, NC Carrboro Arts Center Sept. 21 Knoxville, TN Bijou Theater Sept. 22 Annapolis, MD Ram's Head On Stage Sept. 23 Phoenixville, PA Colonial Theatre Sept. 24 Vienna, VA Jammin Java Sept. 26 New York, NY Iridium Sept.
27 Boston, MA Royale Sept. 28 New York, NY Iridium Sept. 29 New York, NY Iridium Sept. 30 Fairfield, CT Stage One Oct. 1 Northampton, MA Iron Horse Oct. 2 Montreal Corona Theatre Oct. 4 Toronto The Mod Club Oct. 5 Buffalo, NY Tralf Oct. 6 Covington, KY Historic Southgate House Oct. 7 Detroit, MI Magic Bag Oct. 8 Chicago, IL Old Town School of Folk Oct. 9 Minneapolis, MN Cedar Cultural Center Oct. 11 Boulder, CO Boulder Theater Oct. 12 Salt Lake City, UT The Depot Oct. 14 Portland, OR Aladdin Theater Oct. 15 Seattle, WA Triple Door Oct. 17 Sacramento, CA Harlow's Oct. 18 San Francisco, CA Regency Ballroom Oct. 19 Solana Beach, CA Belly Up Tavern Oct. 21 Agoura Hills, CA Canyon Club Oct. 22 Santa Ana, CA Galaxy Theater Oct. 23 Phoenix, AZ The Foundry Oct. 26 St. Louis, MO Old Rock House Oct. 27 Indianapolis, IN Birdys Oct. 28 Nashville, TN Belcourt Oct. 29 Asheville, NC Moogfest
Thursday, July 21, 2011
Dream Theater News
"A Dramatic Turn Of Events", the much-anticipated album from progressive metal giants DREAM THEATER, which marks new drummer Mike Mangini's recorded debut, will be released on September 13 via Roadrunner Records.
The "A Dramatic Turn Of Events" deluxe collector's edition exclusive pre-order box set includes the following:
* "A Dramatic Turn Of Events" album
* Instrumentals of the entire album
* DVD of "The Spirit Carries On" – a 60-minute movie documenting DREAM THEATER's drummer auditions
* Double-LP set of "A Dramatic Turn Of Events" (180-gram vinyl in gatefold jacket)
* DREAM THEATER branded custom turntable slipmat
* Litho Print of album cover
* 50 lucky winners will find a DREAM THEATER "Ticket For Life" (randomly inserted)
* All content housed in a custom box
* Receive a digital download of the album the day before release
CD1
01. On The Backs Of Angels
02. Build Me Up, Break Me Down
03. Lost Not Forgotten
04. This Is The Life
05. Bridges In The Sky
06. Outcry
07. Far From Heaven
08. Breaking All Illusions
09. Beneath The Surface
CD 2
01. On The Backs Of Angels (instrumental)
02. Build Me Up, Break Me Down (instrumental)
03. Lost Not Forgotten (instrumental)
04. This Is The Life (instrumental)
05. Bridges In The Sky (instrumental)
06. Outcry (instrumental)
07. Far From Heaven (instrumental)
08. Breaking All Illusions (instrumental)
09. Beneath The Surface (instrumental)
You can now pre-order this set at this location.
In a recent interview with Revolver magazine, DREAM THEATER guitarist John Petrucci stated about the departure of the band's drummer and founding member Mike Portnoy, "I love Mike. We've known each other for so long… I met him when I was, what, 17? We went to Berklee [College Of Music] together. We went through everything. He's an awesome guy.
"It was a heartbreaking chapter in our lives, but it's just one of those things in life where there's a big change, and you don't expect it, and what matters is the way face that change. You can embrace it or you can run from it. We just chose to move on."
On the topic of "A Dramatic Turn Of Events", Petrucci said, "It's everything that makes DREAM THEATER what it is. It's all our elements — metal elements, progressive elements, melodic elements, and all the playing and fusion elements we've always had. I try to stay pure to the initial conception of our band; we're a progressive band and we're a metal band, mixed.
"We always try to push some sort of boundary and do something that's a little bit different, some sort of element we haven't done before. You'll hear that for sure. You don't want to repeat yourself, but at the same time it's important to stay focused on what makes up the sound of the band.
"My favorite bands growing up were YES and RUSH, so 'Hemispheres', 'Close To The Edge', 'And You An I' — those big, dramatic songs are a huge part of what we do, married with the metal sound and melodic sound that makes us unique. That's always be there."
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