Bryan Reesman of Attention Deficit Delirium recently conducted an interview
with guitarist John Petrucci of progressive metallers DREAM THEATER.
A couple of excerpts from the chat follow below.
Attention Deficit Delirium: Your wife, Rena Sands, plays guitar in the JUDAS
PRIESTESS tribute band. Is there ever a chance that you two might do a
musical project together?
Petrucci: We would love to. We
talk about doing that. It just depends on what the style would be and just
finding the time to do that. She's such a great guitar player. We're
celebrating our 20th wedding anniversary. We just got from back from Vegas
actually.
Attention Deficit Delirium: Congratulations.
Petrucci: Thank you. When we
first met, music is the thing that we really connected with and has always been
a big part of our lives. We now have three kids, all teenagers who play music,
and this is something that we're all really connected to. That would be unbelievable
to do something together.
Attention Deficit Delirium: Artists often have a hard time handling relationships because of
our crazy schedules. How have you two managed to make things work for 20 years?
Petrucci: It takes a lot of
understanding. I think [due to] the fact that my wife is a musician and is in
the same career, she completely knows what's involved and is the type of person
who is just unbelievably supportive. When you think about how much time I have
to be away because of touring…as you said it's an unconventional kind industry
situation, and I'm in the studio for 10 to 12 hours a day. Meanwhile we had
three kids, twins first, so she spent all that time raising them. I'm
100,000,000% convinced that I wouldn't be where I am today in my life and my
career without her and that level of understanding, support and strength. It's
unbelievable. It really is. The fact that she's able to give me feedback and
that we can talk about things creatively and share ideas as I'm writing is just
amazing. It's really, really cool.
Attention Deficit Delirium: I'm enjoying the new DREAM THEATER album a lot. When the
band started, it was a mixture of progressive complexity along with melodic
elements that made it radio friendly. The mid-period of DREAM THEATER
got more into epic songs and complexity, but it seems like the last couple of
releases have gotten back to mixing these off-kilter time signatures and crazy
riffs with catchy choruses. I wrote that in my recent studio report, and there
were some fans who were turned off that idea, but I think it's a good thing.
Was this a conscious return to that style of songwriting, or did it just come
about naturally?
Petrucci: It's definitely
something that we wanted to focus on a lot. As far as the style of the band and
the way that we come across, it's important to us that that always stays
intact. We're a progressive band with a metal sound, and the musical style is
very powerful. We try to push the boundaries, but having said that, the most
important thing is the songwriting. At the end of the day, it's the
compositions, it's whether or not your music reaches people. It's
communication. It's always been an important element of our music — the melodic
side that you said, the catchy chorus side but also the overall melodic content
— how the vocals hit you, how the song message hits you — I think that
separates the men from the boys in a lot of aspects as far as writing in a
progressive style. The songs need to be catchy, they need to be relatable, they
need to be strong, and we did focus more on that this time, there's no doubt
about it. We did go in saying we're going to make a strong and bold album. It's
going to be everything that we love to do, but we're going to take extra special
attention on the compositional songwriting elements so that within that
structure the songs are even that much more powerful emotionally.
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